Launching a redesigned website is energizing. The design is more stripped down than the previous version and helps the art pop out more.
http://christopherbaer.com
Wednesday, December 21, 2011
Friday, October 14, 2011
Line Theory
I have been working on series called Palisades for some time now, which has been an exploration of styles on the 60 x50 format canvas. Line Theory is an off-shoot of that series that is being made into its own series.
The lines have vibrant color relationships and speed; other artifacts show through the lines. These are 20 x 20.
The lines have vibrant color relationships and speed; other artifacts show through the lines. These are 20 x 20.
Thursday, October 6, 2011
Goofy Dinosaur
Wednesday, September 28, 2011
Palisades 30 & 31
These works are taking a new direction. I have always liked lines in abstract work; these push the lines to the front. #31 is sold.
Sunday, August 14, 2011
Wednesday, August 3, 2011
White on White
I could spend a decade fooling around with white. It has a dignified and transparent quality that both masks and reveals at the same time.
Sunday, May 1, 2011
Marilyn
Thursday, March 24, 2011
Saturday, March 5, 2011
Key
I did a freshman project at RISD with another student named Margot. The project involved stringing 4 stories of florescent lights inside the Waterman Building incinerator shaft, at the base of which was a furnace where refuse was probably burned. It had been out of commission for a long time. It was filthy.
The project was in most respects perilous, over-ambitious and ill-planned --all of which were my personal hallmarks at the time. Still, the outcome was fantastic: the effect was a seemingly endless secret column of light in the darkness. During the critique with our entire class and professor, Jack Massey, the project collapsed into a shower of sparks, shards of glass, and clanging metal. Somehow, no one was injured.
Anyway, while I was examining in the empty furnace, which was large enough for several students to stand in, I found this key and cleaned it off. It looked old and well-crafted.
Then I inspected it and noticed a nice design feature that indicated the room to which it went. Cool.
The project was in most respects perilous, over-ambitious and ill-planned --all of which were my personal hallmarks at the time. Still, the outcome was fantastic: the effect was a seemingly endless secret column of light in the darkness. During the critique with our entire class and professor, Jack Massey, the project collapsed into a shower of sparks, shards of glass, and clanging metal. Somehow, no one was injured.
Anyway, while I was examining in the empty furnace, which was large enough for several students to stand in, I found this key and cleaned it off. It looked old and well-crafted.
Then I inspected it and noticed a nice design feature that indicated the room to which it went. Cool.
Wednesday, March 2, 2011
Copper Bowl
My friend Rebecca produced this copper bowl at RISD as requirement for the Jewelry & Light Metal curriculum. I still enjoy looking at it and holding it all the time in my studio.
Wednesday, February 23, 2011
Monday, February 21, 2011
Simplicity or Complexity
This is some gravel in the driveway of a friend in Italy.
So is this simple or complex? You have 7 seconds.
Saturday, February 5, 2011
Durban
I painted Durban in 2006. It is not large but still reaches me each time I view it, which is about once per year.
Thursday, February 3, 2011
Keeping an Eye on Things
I snapped this image last Summer (2010) in Baltimore on a busy street corner. In addition to there being three separate cameras and two flashes, it is sculptural and tree-like.
Friday, January 14, 2011
Shoes from way back
This is an image from my sketchbook in the late nineties when shoe design was getting crazy. This was an "approach shoe" (or something) in my friend, Josh's ridiculously large collection of sneakers and footwear. The design is not outrageous by today's standards, but at the time mainstream footwear was just starting to explore these shapes and lines.
Friday, January 7, 2011
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